{"id":895,"date":"2026-01-01T00:35:00","date_gmt":"2025-12-31T23:35:00","guid":{"rendered":"https:\/\/new.cantorama.ch\/?p=895"},"modified":"2026-01-11T20:26:57","modified_gmt":"2026-01-11T19:26:57","slug":"2026-11-15","status":"publish","type":"post","link":"https:\/\/www.cantorama.ch\/fr\/2026-11-15\/","title":{"rendered":"15.11.2026 - Recital de violoncelle et piano"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\" id=\"0-dimanche-15-novembre-2026-%C3%A0-1700-h\">Dimanche 15 novembre 2026 \u00e0 17.00 h<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\" id=\"1-sonntag-15-november-2026-um-1700-uhr\">Sonntag 15. November 2026 um 17.00 Uhr<\/h5>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-medium-font-size\"><strong>Zolta\u0301n Despond <\/strong>&#8211; violoncelle<\/p>\n\n\n\n<p class=\"has-medium-font-size\"><strong>J\u00e9r\u00e9mie Conus<\/strong> &#8211; piano<\/p>\n\n\n\n<p class=\"has-medium-font-size\">Recital de violoncelle et piano<\/p>\n\n\n\n<p>\u00ab\u00a0Au moment o\u00f9 il commence \u00e0 faire glisser son archet sur les cordes, la lumi\u00e8re brille. Le potentiel artistique, ind\u00e9niable et imm\u00e9diatement reconnaissable, lui permet, en combinaison avec sa fabuleuse technique, d\u2019exprimer pleinement son temp\u00e9rament musical. Selon mon opinion, Zolt\u00e1n Despond est l\u2019un des meilleurs violoncellistes de sa g\u00e9n\u00e9ration.\u00a0\u00bb<\/p>\n\n\n\n<p class=\"has-small-font-size\">Peter Hagmann, critique musical<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-conus.jpg\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1020\" height=\"720\" src=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-conus.jpg\" alt=\"\" class=\"wp-image-2868\" srcset=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-conus.jpg 1020w, https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-conus-900x635.jpg 900w, https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-conus-768x542.jpg 768w\" sizes=\"auto, (max-width: 1020px) 100vw, 1020px\" \/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-center\">Konzertprogramm<br>Programme du concert<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:30%\">\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"539\" height=\"526\" src=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2024\/12\/logo-pdf_b.png\" alt=\"\" class=\"wp-image-1865\" style=\"width:60px\"\/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-despond.jpg\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"1920\" src=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-despond.jpg\" alt=\"\" class=\"wp-image-2869\" srcset=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-despond.jpg 1280w, https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-despond-600x900.jpg 600w, https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-despond-768x1152.jpg 768w, https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-despond-1024x1536.jpg 1024w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><strong>Zolt\u00e1n Despond<\/strong> s\u00e9duit par une musicalit\u00e9 profonde, une \u00e9nergie rayonnante et une intensit\u00e9 d\u2019expression rare. Il se produit en soliste, en r\u00e9cital et en musique de chambre sur les plus grandes sc\u00e8nes du monde : Philharmonie de Berlin, Musikverein de Vienne, Auditorio Nacional de Madrid, Philharmonie du Luxembourg, Gewandhaus de Leipzig, Konserthus d\u2019Oslo, Stadtcasino de B\u00e2le, DR Koncerthuset de Copenhague, Alte Oper de Francfort, Salle Gaveau \u00e0 Paris, Bozar de Bruxelles, Mozarteum de Salzbourg, NFM de Wroclaw, Grieghallen de Bergen, Philharmonie de Varsovie, Budapest Music Center, Rodolfinum de Prague, entre autres. Il a notamment fait ses d\u00e9buts au Lucerne Festival.<br>Chambriste passionn\u00e9, il joue aux c\u00f4t\u00e9s de musiciens tels qu\u2019Ilya Gringolts, Andrey Baranov, Jo\u00eb Christophe, Thomas Reif, Benjamin Engeli, Yulia Miloslavskaya, J\u00e9r\u00e9mie Conus, Isabel Pfefferkorn, Thomas Grossenbacher ou Richard Kogima. Il accorde une attention particuli\u00e8re \u00e0 son duo avec le pianiste Vesselin Stanev. Invit\u00e9 \u00e0 donner des master class, il enseigne notamment, en mai 2024, \u00e0 la Hochschule f\u00fcr Musik de Hanovre pour les \u00e9tudiants du programme IFF.<br>N\u00e9 en Gruy\u00e8re, en Suisse, Zolt\u00e1n Despond d\u00e9bute le violoncelle dans la classe de Pierre-Bernard Sudan au Conservatoire de Bulle, puis poursuit \u00e0 la Haute \u00c9cole de Musique de Lausanne aupr\u00e8s de Marc Jaermann (Quatuor Sine Nomine). Il se perfectionne ensuite \u00e0 la Z\u00fcrcher Hochschule der K\u00fcnste dans la classe de Thomas Grossenbacher, o\u00f9 il obtient un Master de concert et un Master de soliste en 2018. Parall\u00e8lement, il b\u00e9n\u00e9ficie des conseils de Franz Helmerson, Antonio Meneses, Christophe Coin, Giovanni Sollima, Martin Ostertag et Enrico Dindo.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><strong>J\u00e9r\u00e9mie Conus<\/strong> d\u00e9bute le piano \u00e0 6 ans chez Christian Thomann \u00e0 la Musikschule Solothurnisches Leimental, puis poursuit sa formation \u00e0 la Musikakademie de B\u00e2le aupr\u00e8s d\u2019Alicja Masan. Il \u00e9tudie ensuite \u00e0 la Haute \u00c9cole d\u2019Art de Z\u00fcrich dans la classe du professeur Konstantin Scherbakov, o\u00f9 il obtient successivement le Bachelor of Arts (2016), le Master of Arts in Music Pedagogy (2018) et le Master of Arts in Music Performance (2021), tous avec distinction.<br>Laur\u00e9at de nombreux concours, il remporte notamment plusieurs Premiers Prix au Concours Suisse de Musique pour la Jeunesse, le 1er Prix et le Prix du public au Concours European Music Competition Citt\u00e0 di Moncalieri (Italie), ainsi que le 1er Prix du Concours Landolt (2018). Il est \u00e9galement laur\u00e9at du Rahn Musikpreis 2020 et re\u00e7oit un prix d\u2019encouragement culturel du canton de Soleure en 2023. Boursier de la Fondation Friedl Wald (2014) et du Pourcent culturel Migros (2016\u20132017), il est admis dans leur programme de concerts.<br>J\u00e9r\u00e9mie Conus se produit en soliste et en musique de chambre en Suisse et \u00e0 l\u2019\u00e9tranger, notamment \u00e0 la Tonhalle et \u00e0 la Tonhalle Maag de Z\u00fcrich, au Goetheanum de Dornach et \u00e0 la salle Joseph Joachim de Berlin, aux c\u00f4t\u00e9s du Quatuor Euler, des Junge Sinfoniker Basel ou du Salonorchester St. Moritz.<br>Son r\u00e9pertoire associe \u0153uvres classiques et raret\u00e9s, avec une attention particuli\u00e8re aux compositeurs suisses tels que Frank Martin et Arthur Honegger. Son premier disque Swiss Piano Music, consacr\u00e9 \u00e0 ces deux auteurs, a \u00e9t\u00e9 nomin\u00e9 aux International Classical Music Awards 2022 et au prix Opus Klassik 2023.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/jeremie-conus.jpg\" target=\"_blank\" rel=\" noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1417\" src=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/jeremie-conus.jpg\" alt=\"\" class=\"wp-image-2870\" srcset=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/jeremie-conus.jpg 1920w, https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/jeremie-conus-900x664.jpg 900w, https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/jeremie-conus-768x567.jpg 768w, https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/jeremie-conus-1536x1134.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><figcaption class=\"wp-element-caption\">www.janoschabel.com<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<p>Unterst\u00fctzt von:<br>Avec le soutien de :<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p>pbplan ag, Partner f\u00fcr nachhaltige Planung, Plaffeien<br>Edgar Jenny, Verwaltungsratspr\u00e4sident der Gestina AG, Immobilienverwaltung<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:25%\">\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img decoding=\"async\" src=\"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2024\/12\/ticket_cj.jpg\" alt=\"\" style=\"width:100px\" title=\"Tickets reservieren - Reservation de tickets\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong><a href=\"https:\/\/www.cantorama.ch\/veranstaltungen-tickets\/tickets\/\">Tickets reservieren<\/a><\/strong><br><strong><a href=\"https:\/\/www.cantorama.ch\/fr\/veranstaltungen-tickets\/tickets\/\">R\u00e9servation de tickets<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dimanche 15 novembre 2026 \u00e0 17.00 h Sonntag 15. November 2026 um 17.00 Uhr Zolta\u0301n Despond &#8211; violoncelle J\u00e9r\u00e9mie Conus [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2868,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general"],"featured_image_src":"https:\/\/www.cantorama.ch\/wp-content\/uploads\/2025\/01\/zoltan-conus.jpg","author_info":{"display_name":"Anton Rumo","author_link":"https:\/\/www.cantorama.ch\/fr\/author\/rumo-anton\/"},"publishpress_future_action":{"enabled":true,"date":"2026-11-16 06:00:00","action":"change-status","newStatus":"draft","terms":[0],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/posts\/895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/comments?post=895"}],"version-history":[{"count":6,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/posts\/895\/revisions"}],"predecessor-version":[{"id":2888,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/posts\/895\/revisions\/2888"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/media\/2868"}],"wp:attachment":[{"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/media?parent=895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/categories?post=895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/tags?post=895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}