{"id":2921,"date":"2026-04-05T12:05:17","date_gmt":"2026-04-05T10:05:17","guid":{"rendered":"https:\/\/www.cantorama.ch\/?page_id=2921"},"modified":"2026-07-19T11:01:26","modified_gmt":"2026-07-19T09:01:26","slug":"galerie-2026","status":"publish","type":"page","link":"https:\/\/www.cantorama.ch\/fr\/veranstaltungen-tickets\/galerie-2026\/","title":{"rendered":"Galerie 2026"},"content":{"rendered":"\n<h1 class=\"wp-block-heading has-text-align-center\" id=\"0-konzertgalerie-2026-galerie-des-concerts\">Konzertgalerie &#8211; 2026 &#8211; Galerie des concerts<\/h1>\n\n\n\n<a href=\"javascript:history.back()\">< Zur\u00fcck zur Auswahlseite<br>< Retour \u00e0 la page de s\u00e9lection<\/a>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h3 class=\"wp-block-heading has-text-align-center\">3 avril 2026<\/h3>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Ch<strong>\u0153<\/strong>ur de Chambre<br>de l&rsquo;Universit\u00e9 de Fribourg<\/strong><\/h3>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Concert du Vendredi Saint<br>Karfreitagskonzert<\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\nngg_shortcode_0_placeholder\n\n\n\n<p class=\"wp-block-paragraph\">Et voil\u00e0 ! La saison du 35<sup>\u00e8me<\/sup> anniversaire du Cantorama a commenc\u00e9 en ce Vendredi Saint. Nous avons accueilli le <strong>Ch\u0153ur de Chambre de l&rsquo;Universit\u00e9 de Fribourg. <\/strong>Ce ch\u0153ur, fort d\u2019une quarantaine de membres, a occup\u00e9 les all\u00e9es lat\u00e9rales et a \u00ab\u00a0envelopp\u00e9\u00a0\u00bb les nombreux auditeurs par une pi\u00e8ce de Knut Nystedt. Apr\u00e8s un <em>Miserere<\/em> de Rudi Tas et 3 motets d&rsquo;Heinrich Sch\u00fctz, nous avons pu appr\u00e9cier la virtuosit\u00e9 et la sensibilit\u00e9 de la violoncelliste <strong>Nadja Straubhaar<\/strong> dans un <em>Pr\u00e4ludium<\/em> de Bach.<br><br>La premi\u00e8re pi\u00e8ce de r\u00e9sistance de ce concert \u00e9tait le <em>Stabat Mater<\/em> de Knut Nystedt. Une \u0153uvre difficile d&rsquo;acc\u00e8s, pleine d\u2019\u00e9motions. Le compositeur norv\u00e9gien utilise le violoncelle seul pour accompagner et dialoguer avec les voix. C&rsquo;est une \u0153uvre aust\u00e8re et puissante, et bien que le langage musical soit accessible, l&rsquo;\u00e9coute n&rsquo;est certainement pas toujours facile.<br><br>La deuxi\u00e8me pi\u00e8ce importante de ce concert a \u00e9t\u00e9 le motet de Jean-S\u00e9bastien Bach <em>Jesu meine Freude<\/em>. Ce motet est, comme beaucoup des motets de Bach, un motet fun\u00e8bre, compos\u00e9 en 1723 pour un service religieux en m\u00e9moire de la veuve d&rsquo;un personnage tr\u00e8s important de Leipzig. Et, comme pour les autres \u0153uvres de ce concert, l&rsquo;organiste <strong>Emile S\u00e9cheret<\/strong> a \u00e9t\u00e9 discret, mais tr\u00e8s efficace.<br><br>Ce programme, toutes ces qualit\u00e9s vocales, tous ces moments remarquables de musique et de ferveur, nous les devons \u00e0 <strong>Pascal Mayer<\/strong>, un des directeurs les plus influents de ces derni\u00e8res ann\u00e9es.<br>La saison musicale 2026 a magnifiquement commenc\u00e9.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.cantorama.ch\/wp-content\/videos\/C01-01 - 2026-04-03.MP4\"><\/video><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.cantorama.ch\/wp-content\/videos\/C01-02 - 2026-04-03.MP4\"><\/video><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h3 class=\"wp-block-heading has-text-align-center\">2. Mai 2026<\/h3>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Jodlerklub Alph\u00fcttli<\/strong><br>Plaffeien<strong><br>Jodlerklub Echo vom B\u00e4rgli<\/strong><br>Rechthalten<\/h3>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Jodelkonzert<\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\nngg_shortcode_1_placeholder\n\n\n\n<p class=\"wp-block-paragraph\">Bei der Gr\u00fcndung der Stiftung Cantorama Jaun, wurde die alte Kirche als \u00ab\u00a0Haus des Freiburger Chorgesangs\u00a0\u00bb bezeichnet. Zum 35. Konzertjahr hat die Musikkommission deshalb alles Formationen aus dem Kanton Freiburg engagiert. Dazu geh\u00f6ren selbstverst\u00e4ndlich auch die Jodler. Die beiden Vereine, der Jodlerklub \u00ab\u00a0Echo vom B\u00e4rgli\u00a0\u00bb Rechthalten und der Jodlerklub \u00ab\u00a0Alph\u00fcttli\u00a0\u00bb Plaffeien haben die Jodlerschar an diesem Konzert vertreten.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Die beiden Dirigenten, Dario Neuhaus f\u00fcr den Jodlerklub Rechthalten und Christian Jungo f\u00fcr den Jodlerklub Plaffeien haben mit ihren Ch\u00f6ren ein abwechslungsreiches und anspruchsvolles Programm vorbereitet. Die beiden Jodlervereine konnten sich mit ihrem klangvollen, sch\u00f6nen Chorklang und den runden und vollen Jodlerstimmen in diesem Konzertlokal voll entfalten.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mit ihren gem\u00fctlichen und fr\u00f6hlichen Melodien lockerten die Schwyzer\u00f6rgeler vom \u00ab\u00a0Alph\u00fcttli\u00a0\u00bb Plaffeien das Programm zus\u00e4tzlich auf. Als \u00dcberraschung des Publikums liess Dario Neuhaus auf der Orgel des Cantoramas eine Jodlermelodie erklingen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Es war ein Genuss diesem Konzert beizuwohnen.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h3 class=\"wp-block-heading has-text-align-center\">14 juin 2026<\/h3>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Yermak Duo<\/strong><br>&amp;<strong><br><strong>L&rsquo;Amiti\u00e9 chantante<\/strong><\/strong><br><\/h3>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\nngg_shortcode_2_placeholder\n\n\n\n<p class=\"wp-block-paragraph\"><em>Chante bi payi<\/em> ! D\u00e8s les premi\u00e8res notes de la guitare de Steve Fragni\u00e8re, on a entendu le son des cloches dans les p\u00e2turages. Et, le <em>Ly\u00f4ba<\/em> de la guitare basse de Romain Gachet, avec un archet, a r\u00e9sonn\u00e9 dans le Cantorama, comme dans les montagnes. Le ton \u00e9tait donn\u00e9 : des airs traditionnels, autrement. Le public a \u00e9t\u00e9 d&rsquo;abord surpris, a compris la d\u00e9marche et a appr\u00e9ci\u00e9, si l&rsquo;on en croit les tonnerres d&rsquo;applaudissements apr\u00e8s chaque morceau.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il faut dire que le quintette masculin L&rsquo;Amiti\u00e9 Chantante y est aussi pour quelque chose. On a aim\u00e9 la qualit\u00e9, la fusion des voix, l&rsquo;interpr\u00e9tation et aussi le contraste entre les m\u00e9lodies tr\u00e8s connues et l&rsquo;accompagnement discret et efficace des deux guitares. Les couplets des chants ont \u00e9t\u00e9 parfois entrecoup\u00e9s d&rsquo;improvisations inspir\u00e9es par le jazz, mais le tout est rest\u00e9 coh\u00e9rent.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&rsquo;intervention des voix f\u00e9minines, peut-\u00eatre un peu p\u00e2les apr\u00e8s celles du ch\u0153ur d&rsquo;hommes, a apport\u00e9 une touche d\u00e9licate et a contribu\u00e9 \u00e0 la beaut\u00e9 du concert.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A relever encore <em>Le Ranz des vaches<\/em> par Kevin Uldry et Sylvain Egger, deux des solistes de la F\u00eate de Vignerons de 2019 (le public a chant\u00e9 \u2026) et, pour terminer, la remarquable interpr\u00e9tation de <em>La Tchivra<\/em> par Florian Monney.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mettre c\u00f4te \u00e0 c\u00f4te deux cultures musicales si diff\u00e9rentes, il fallait oser. Ils l&rsquo;ont fait et bien fait pour un superbe concert et pour notre plaisir. Merci !<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.cantorama.ch\/wp-content\/videos\/Yermak-Duo_Video-1.MP4\"><\/video><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.cantorama.ch\/wp-content\/videos\/Yermak-Duo_Video-2.MP4\"><\/video><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.cantorama.ch\/wp-content\/videos\/Yermak-Duo_Video-3.MP4\"><\/video><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.cantorama.ch\/wp-content\/videos\/Yermak-Duo_Video-4.MP4\"><\/video><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.cantorama.ch\/wp-content\/videos\/Yermak-Duo_Video-5.MP4\"><\/video><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.cantorama.ch\/wp-content\/videos\/Yermak-Duo_Video-6.MP4\"><\/video><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/www.cantorama.ch\/wp-content\/videos\/Yermak-Duo_Video-7.MP4\"><\/video><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<h3 class=\"wp-block-heading has-text-align-center\">5 juillet 2026<\/h3>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>Marie-Claude Chappuis<\/strong><br>&amp;<strong><br><strong>Andrea Wiesli<\/strong><\/strong><br><\/h3>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"has-text-align-center wp-block-paragraph\"><em>M\u00e9lodies classiques et populaires d&rsquo;ici et d&rsquo;ailleurs<\/em><\/p>\n<\/blockquote>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\nngg_shortcode_3_placeholder\n\n\n\n<p class=\"wp-block-paragraph\">Extra &#8211; ordinaire \u2026 En effet, il n&rsquo;est pas ordinaire, au Cantorama, d&rsquo;accueillir des artistes de carri\u00e8re et de renomm\u00e9e internationale. En ce d\u00e9but juillet, le programme pr\u00e9par\u00e9 par Marie-Claude Chappuis, mezzo-soprano, et par la remarquable pianiste Andrea Wiesli a attir\u00e9 beaucoup de m\u00e9lomanes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&rsquo;entr\u00e9e a surpris tout le monde. Marie-Claude Chappuis s&rsquo;est avanc\u00e9e en fredonnant une m\u00e9lodie populaire avec l&rsquo;\u00e9cho d&rsquo;Andrea Wiesli. Le ton \u00e9tait donn\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mendelssohn, Brahms, Schubert ou Mozart ont c\u00f4toy\u00e9 Bovet, Cantieni, Raff, Bombelles ou Huber. Les pi\u00e8ces se sont encha\u00een\u00e9es naturellement, glissant du classique au populaire et le public n&rsquo;a pas toujours eu de la possibilit\u00e9 de manifester son plaisir par des applaudissements \u2026 La voix claire et pure de Marie-Claude Chappuis, sa pr\u00e9sence, son sourire et son attitude ont enthousiasm\u00e9 l&rsquo;auditoire qui a bien vite r\u00e9alis\u00e9 qu&rsquo;il s&rsquo;agissait vraiment d&rsquo;une diva qui interpr\u00e9tait aussi bien la m\u00e9lodie populaire que le lied classique.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Andrea Wiesli a su s&rsquo;adapter. Elle a accompagn\u00e9 avec finesse et discr\u00e9tion et le public a applaudi sa virtuosit\u00e9 dans les \u0153uvres de Fanny Mendelssohn et de Clara Schumann.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le public a aussi particip\u00e9. Il a chant\u00e9 <em>Liauba<\/em> et <em>Nouthra Dona di Maorts\u00e8<\/em>. Enfin, il s&rsquo;est lev\u00e9 pour applaudir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Extraordinaire !!!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-7387b849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Konzertgalerie &#8211; 2026 &#8211; Galerie des concerts < Zur\u00fcck zur Auswahlseite< Retour \u00e0 la page de s\u00e9lection 3 avril 2026 [&hellip;]\n<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":48,"menu_order":20072026,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-2921","page","type-page","status-publish","hentry"],"featured_image_src":null,"publishpress_future_action":{"enabled":false,"date":"2026-07-27 10:56:41","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"language","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/pages\/2921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/comments?post=2921"}],"version-history":[{"count":12,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/pages\/2921\/revisions"}],"predecessor-version":[{"id":2993,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/pages\/2921\/revisions\/2993"}],"up":[{"embeddable":true,"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/pages\/48"}],"wp:attachment":[{"href":"https:\/\/www.cantorama.ch\/fr\/wp-json\/wp\/v2\/media?parent=2921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}